Vol. 13 No. 23 (2017): Dossier Ferreira Gullar

View Vol. 13 No. 23 (2017): Dossier Ferreira Gullar
Published: 2017-08-25

Editorial

  • Introduction

    Paulo Franchetti, Osvaldo Manuel Silvestre, Solange Fiuza, Ida Alves
    272-275
    DOI: https://doi.org/10.25094/rtp.2017n23a465

Dossier

  • Gullar´s poetry: the light and its averse

    Alcides Villaça
    276-300
    DOI: https://doi.org/10.25094/rtp.2017n23a467

  • Ferreira Gullar: notes on heroism

    Paulo Franchetti
    301-320
    DOI: https://doi.org/10.25094/rtp.2017n23a446

  • Brazilian avant-garde: Concrete poetry, Gullar and Mallarmé

    Sandra M. Stroparo
    321-335
    DOI: https://doi.org/10.25094/rtp.2017n23a430

  • Electric fields: an interpretation of the poem Poema Sujo

    Rosana Kohl Bines, Ana Bartolo
    336-356
    DOI: https://doi.org/10.25094/rtp.2017n23a421

  • Gullar and Drummond: lyricism and social engagement

    Alexandre Pilati
    357-378
    DOI: https://doi.org/10.25094/rtp.2017n23a433

  • Between coups, revolts and returns: images and mirages of Chile in the work of Ferreira Gullar

    Marcelo Ferraz de Paula
    379-403
    DOI: https://doi.org/10.25094/rtp.2017n23a422

  • Correlations and divergences in the adult and infant poetry of Ferreira Gullar

    Larissa Warzocha Fernandes Cruvinel, Renata Rocha Ribeiro
    404-429
    DOI: https://doi.org/10.25094/rtp.2017n23a420

  • Ferreira Gullar and his last combat

    Eleonora Ziller Camenietzki
    430-447
    DOI: https://doi.org/10.25094/rtp.2017n23a466

Interviews

Other themes

  • Poetry and the Post-Medium Condition: Carlito Azevedo’s Monodrama

    Osvaldo Silvestre
    448-484
    DOI: https://doi.org/10.25094/rtp.2017n23a447

  • Expressionism and reification: the body as a space of resistance in "O Homem Inacabado" by Donizete Galvão

    Rangel Gomes Andrade, Adalberto Luis Vicente
    485-507
    DOI: https://doi.org/10.25094/rtp.2017n23a423

  • When the simple matter seeks form: metalanguage in the classical and in the contemporary

    Iouchabel Sarratchara de Fátima Falcão, Célia Maria Domingues da Rocha Reis
    508-525
    DOI: https://doi.org/10.25094/rtp.2017n23a435

  • The cursed form: the presence of sonnet in the work of Bruno Tolentino

    Nívia Maria Santos Silva, Luciene de Almeida Azevedo
    526-549
    DOI: https://doi.org/10.25094/rtp.2017n23a397

Acknowledgments

  • About this issue

    573
    DOI: https://doi.org/10.25094/rtp.2017n23a469