“The enjoying of singing”: metapoesia and eufemization of time in ‘Ode discontinuous and remote for flute and oboe. From Ariana to Dionysus', by Hilda Hilst
DOI:
https://doi.org/10.25094/rtp.2019n27a599Keywords:
metapoesia, Hilda Hilst, time, imaginary, Eternal return.Abstract
The objective is to reflect on the metapoesia in the work of Hilda Hilst, from the analysis of Ode Discontinuous and Remote for Flute and Oboe. From Ariana to Dionysus. We understand that the passage of time is a central problem in the work of the poet. In Ode discontinuous..., the lyrical subject gives indications of exercising poetry as a confrontation of time, triggering a set of images that has as its center the poetic texture itself and that seem to minimize, through the imaginary, the relentless temporality present in other cuts of its production. The interdisciplinary theoretical axis includes, among others, Durand, Dufrenne and Pelbart.
---
References
BACHELARD, Gaston. A poética do espaço. São Paulo: Martins Fontes, 2000.
CASSIRER, Ernst. A filosofia das formas simbólicas. São Paulo: Martins Fontes, 2004.
ELIAS, Norbert. Sobre o tempo. Rio de Janeiro: Jorge Zahar Editora, 1998.
DURAND, Gilbert. As estruturas antropológicas do imaginário: introdução à arquetipologia geral. São Paulo: Martins Fontes, 2002.
HILST, Hilda. Júbilo, memória, noviciado da paixão. São Paulo: Globo, 2003.
LEIBNIZ, Gottfried. Novos ensaios sobre o entendimento humano. Coleção Os pensadores, v.2. Tradução de Carlos Lopes de Matos. São Paulo: Nova Cultural, 1988.
PANKOW, Gisela. O homem e seu espaço vivido. Campinas: Papirus, 1988.
PÉCORA, Alcir. “Nota do organizador”. In HILST, Hilda. Júbilo, memória, noviciado da paixão. São Paulo: Globo, 2003.
PELBART, Peter Pál. A nau do tempo-rei. Sete ensaios sobre o tempo da loucura. Rio de Janeiro: Imago, 1993.
Downloads
Published
How to Cite
Issue
Section
License
I authorize the Texto Poético Journal to publish the paper of my authorship/responsibility that I now submit, in case it is accepted for online publication.
Moreover, I declare that this contribution is original and that it was not submitted to any other editor for publication.
The copyright of the works published at the virtual space of the Texto Poético Journal are automatically entitled to the journal. Their total or partial reproduction is conditioned to the authors' citations and publication data.
Texto Poético is licensed under a Creative Commons - Attribution-NonCommercial 4.0 International (CC BY-NC 4.0).