The relationship between the Renaissance man and the construction of the lyrical subject in two poems by Joachim du Bellay

Authors

DOI:

https://doi.org/10.25094/rtp.2022n36a839

Keywords:

Poetry, Lyrical subject, Renaissance, Joachim du Bellay, Agnes Heller

Abstract

This article aims to understand the relationship between Renaissance man and the construction of the lyrical self in two poems by Joachim du Bellay. From the critical analysis of the poems, we can understand how the characteristics of the Pleiades, a movement in which the author participates, are connected to the conception of man in the Renaissance. For that, we use the theory of Agnes Heller (1982) in the book “The Renaissance man”. Our hypothesis is that there would be an equivalence between the ontological movement of humanity’s empowerment and the elevation of the work of art in this context.

Author Biographies

Marília Renildes Duka de Souza, Universidade Estadual de Maringá (UEM)

Graduanda em Letras Português/Francês da Universidade Estadual de Maringá/UEM, Maringá, Paraná, Brasil.

Márcio Roberto do Prado, Universidade Estadual de Maringá (UEM)

Doutor em Estudos Literários pela Universidade Estadual Paulista “Júlio de Mesquita Filho”/ UNESP – Araraquara, São Paulo, Brasil, com doutorado-sanduíche pela Université Paris 8 – Vincennes – Saint-Denis, França. Professor associado do Departamento de Teorias Linguísticas e Literárias da Universidade Estadual de Maringá/UEM, Maringá, Paraná, Brasil, e professor permanente do Programa de Pós-Graduação em Letras da UEM.

References

BÉDIER, Joseph & HAZARD, Paul. Histoire de la littérature française illustrée. Paris : Larousse, 1923. (vol. 1).

DU BELLAY, Joachim. Les regrets. In: WIKISOURSE, 2021. Disponível em https://fr.m.wikisourse.org/wiki/Les_Regrets_(du_Bellay). Acesso em: 5 nov. 2021.

HELLER, Agnes. O homem do renascimento. Lisboa: Editorial Presença, 1982.

LUKÁCS, György. A teoria do romance: um ensaio histórico-filosófico sobre as formas da grande épica. S.o Paulo: Duas Cidades, 2000.

MARX, Karl. O Capital. 16. ed. Rio de Janeiro: Civilizaç.o Brasileira, 1998. (vol. II).

SEBILLET, Thomas. Art poétique françoys (1548). Édition critique avec une introduction et des notes. Paris : Société Nouvelle de Librairie et d’Édition, 1910.

VALVERDE, Antonio José Romera. Relatório de Pesquisa nº 4/2020: O homem do renascimento. S.o Paulo: EAESP/FGV/NPP – Núcleo de Pesquisas e Publicaç.es, 2000.

Capa da Texto Poético 36

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Published

2022-05-29

How to Cite

Renildes Duka de Souza, M., & do Prado, M. R. (2022). The relationship between the Renaissance man and the construction of the lyrical subject in two poems by Joachim du Bellay. Texto Poético, 18(36), 159–172. https://doi.org/10.25094/rtp.2022n36a839

Issue

Vol. 18 No. 36 (2022): A tribute to the poet Pedro Casaldáliga

Section

Other themes

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