Female mobilities

Authors

DOI:

https://doi.org/10.25094/rtp.2024n41a1042

Keywords:

Feminine, Brazilian contemporary poetry, Mobility

Abstract

In this personal testimony given out from my practice of poetic writing and reflexion about feminine, I try to characterize this notion as a certain relationship to mobility, both spatial and existential. From traditional immobility to claim and conquer of multiple possibilities of moving, poetic writing reflects this movements, as we can see in the quoted poems – of me, Simone Brantes, Angélica Freitas and Claudia Roquette-Pinto.

Author Biography

Paula Glenadel, Universidade Federal Fluminense (UFF)

Professora Titular da Universidade Federal Fluminense, pesquisadora do CNPq, Niterói, Brasil.

References

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GLENADEL, Paula. Quase uma arte. Rio de Janeiro: 7Letras; São Paulo: Cosac Naify, 2005.

GLENADEL, Paula. A fábrica do feminino. Rio de Janeiro: 7Letras, 2008.

ROCA, Agustina. Tejer & destejer: 7 poetas contemporáneas del Brasil. Edición bilíngue. Prólogo de Susana Scramim. Buenos Aires: Bajo La Luna editorial, 2020.

ROQUETTE-PINTO, Claudia. Alma Corsária. São Paulo: Editora 34, 2022.

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Published

2024-01-28

How to Cite

Glenadel, P. (2024). Female mobilities. Texto Poético, 20(41), 25–37. https://doi.org/10.25094/rtp.2024n41a1042

Issue

Vol. 20 No. 41 (2024): (Dis)figurations of the feminine in modern and contemporary poetry

Section

Dossier

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